Delivered by Creative Tourist | Written by Polly Checkland Harding
Friday 7 June – Sunday 9 July
ToGather. A major public performance in Whitworth Park on 9 July is the focal point of this commission by artist Susan Hefuna, which shares themes of migration and separation with a longer-running exhibition that winds through several rooms at the Whitworth, and out into the park. Performance 9 July; exhibition 30 June – 16 July (continues after MIF17 until 3 September), both free
True Faith. This exhibition at Manchester Art Gallery spans four decades of work by international artists – including two Turner Prize winners – who have been inspired by the music of New Order and Joy Division. 30 June – 16 July (continues after MIF17 until 3 September), free
Available Light. A landmark work from three leading figures in American postwar culture, Available Light by choreographer Lucinda Childs, composer John Adams and architect Frank Gehry, Available Light was first staged in 1983; this new production will transfix new audiences at the Palace for MIF17. 6-8 July, tickets from £18
Cotton Panic! Staged in the Victorian grandeur of Upper Campfield Market Hall and devised by a creative team including actress and musician Jane Horrocks, Cotton Panic! uses electronic soundscaping, industrial songs, drama, spoken word and film to capture the profound impact of the 1861 Cotton Famine on the North of England. 8-15 July, tickets £20 (preview) / £25
Returning to Reims
Begin delving into Manchester by exploring MIF17’s Music for a Busy City installation (8am-8pm, 30 June – 16 July, free), which brings extraordinary new music out of the concert hall and into the public realm. If you’re taking advantage of MIF’s deal with The Principal Manchester*, the Official Hotel Provider for the Festival, step out from the terracotta front of this stunning, Grade II-listed building – which dates back to 1890 – and you’re only a 12-minute walk from the Great Northern Warehouse, a Music for a Busy City location. Here, you’ll find a new work by composer and producer Matthew Herbert, one of six new pieces of music written in response to specific city-centre spaces and designed to introduce unexpected sounds to familiar places in Manchester. Diversions nearby include champagne bar Épernay, ‘bier palace’ and ‘cook haus’ Albert’s Schloss – or, if you have sugar cravings, Home Sweet Home, purveyor of bonkers, towering cakes (alongside savoury things).
Mohammed Fairouz’s Music for a Busy City composition in St Ann’s Square is your next destination: once there, take a look inside the Royal Exchange Theatre, the UK’s biggest theatre in the round and the setting for Fatherland (7.30pm, 1-22 July, tickets from £16.50), or stop at Lunya in the beautiful Victorian Barton Arcade just off the square, where the Spanish tapas is fresh, authentic and a great option for an evening meal. Alternatively, continue on to Anna Meredith’s Music for a Busy City inside the walkway between Selfridges and Marks & Spencer – via the high-end clothes shops along Cathedral Street – before ordering one of 42 wines by the glass from Salut’s unusual Enomatic wine dispensers on your way back to Manchester Town Hall, where you’ll find Huang Ruo’s Music for a Busy City composition and MIF17’s Festival Square.
If you’ve not already eaten, take your pick of Indian street food, wood-fired pizza, bistro food or British classics from the four resident kitchens here, and round out the night with a filmic performance from Chassol in the Pavilion Theatre (7.30pm, tickets £12). Alternatively, use Festival Square as your jumping off point for dance classic Available Light at The Palace (8pm, 6-8 July, tickets from £18) or multi-layered production Returning to Reims at HOME (7.30pm, 5-14 July, tickets from £18), a world premiere from one of world theatre’s most revered directors – Thomas Ostermeier.
Party Skills for the End of the World
Breakfast presents the ideal opportunity to explore Manchester’s buzzing Northern Quarter, where the former textiles warehouses with their New York-style fire escapes are now frequently used as filming locations. Keep your eyes peeled for the public art dotted around the area as you head for a New Zealand-style brunch at Federal Café & Bar, beautifully fresh food at Evelyn’s or a classic fry-up at the legendary Koffee Pot. Also not to be missed is the Northern Quarter’s excellent range of independent shops, including Oklahoma with its brilliantly-chosen, quirky gifts, Piccadilly Records, which has been open since 1978, and Manchester Craft & Design Centre, where you can buy direct from the makers in 18 different craft studios.
Meteoric young artist and composer Samson Young presents One of Two Stories, or Both (10am-5pm, 7-16 July, continues after MIF17 until 29 October, free) at the nearby Centre for Chinese Contemporary Art (CFCCA): this multichannel sound and video installation from the winner of the inaugural BMW Art Journey Award explores how journeys last in the memory and are given meaning by the stories used to describe them.
Inspired by now legendary tales of 17th century Chinese travellers making their way to Europe on foot, One of Two Stories, or Both marks the 20th anniversary of the UK’s handover of Hong Kong to China.
Alternatively, head for the city centre and towards Manchester Art Gallery for True Faith (10am-5pm, 30 June – 16 July, continues after MIF17 until 3 September, free), in which seminal cover designs, music videos and posters are combined with work by outstanding contemporary artists for an exhibition that explores the legacy of local bands New Order and Joy Division. Also at Manchester Art Gallery is an exhibition of images by radical street photographer Shirley Baker. Women and Children; and Loitering Men (10am-5pm, until 28 August, free) captures scenes of poverty and resilience during the urban clearances in Manchester and Salford from the 1960s onwards.
From here, admire the beautiful glass dome inside The Portico Library, which opened in 1806, explore the moreish restaurants and packed supermarkets of Chinatown behind the gallery, or head to King Street for lunch and shopping; the award-winning El Gato Negro serves up some of the best Spanish-influenced food in the city. Or, if you’d rather be shown a different side to the city, Festival Square is close to Manchester Art Gallery and the starting point for Migration and the UK’s Most Amazing Street (12pm and 3pm, 5-9 July, tickets £10, duration 2 hours) an MIF17 tour by Blue Badge guide Jonathan Schofield that takes in some spectacular interiors along Oxford Road and tells the story of the ways in which immigration has benefitted Manchester and the UK. The tour finishes at the Whitworth, but there are plenty of buses that will take you back up to St Peter’s Square and the city centre (Oxford Road has a reputation for being Europe’s busiest bus route, after all).
As the day turns into evening, hop on a tram from St Peter’s Square out to MediaCityUK (the largest media hub in Europe and home to the BBC), and HOME1947 at The Lowry (10am-7pm, 1-9 July, free): this immersive installation from two-time Academy Award-winning filmmaker Sharmeen Obaid-Chinoy features a series of short films reflecting on the experiences of the 10 million people who were displaced by the Partition of British India, drawing on their 70-year-old memories and exploring the notion of ‘home’ against the backdrop of today’s migrant crisis. If you have time, explore IWM North on the other side of the Manchester Ship Canal before returning to town for Stealing Sheep: ‘Luma Disco’ (7.30pm, tickets £12), a MIF-exclusive multimedia performance at the Pavilion Theatre, or survival soirée Party Skills for the End of the World (2.30pm and 7.30pm, 27 June – 16 July, tickets £25 previews / £30), where you can learn to withstand the collapse of civilisation by adding ‘skinning a rabbit’ and ‘mixing the perfect Martini’ to your skillset.
No End to Enderby
Your first MIF stop this morning is the Whitworth art gallery for not one but two MIF commissions – but first: breakfast. The Refuge at The Principal Manchester serves roasts throughout the day on a Sunday, with sides that include Vimto-braised red cabbage. Alternatively, Gorilla offers breakfast and brunch from 9am until 4pm, ranging from a granola fruit bowl to a full English, by way of buttermilk pancake stacks and shakshouka – while the simple brunch menu at arts centre HOME (available until 4pm) is a good excuse to drop into La Movida (12pm-6pm Sundays, until 17 July, free), a group exhibition exploring the socio-cultural renaissance in post-Franco Spain.
Next, make your way down Oxford Road by either walking or taking the bus: The University of Manchester and Manchester Metropolitan University are both to be found here, boasting Hogwarts-esque buildings, the Holden Art Gallery and some serious alumni between them. If you’re on foot, drop into the Gothic, Grade-II*-listed Manchester Museum to see Object Lessons (10am-5pm, until 20 August, free), a showcase of over 200 outstanding and rare science teaching objects – otherwise, continue on to Whitworth Park next to the gallery, where the focal point of artist Susan Hefuna’s MIF commission ToGather will take place from 2pm to 5pm.
This free, public event has been developed with 20 people who have recently arrived in Manchester as a creative interpretation of migrants’ experiences through performances by dancers from Company Wayne McGregor and the wide range of food and drink available on the day. It’s accompanied by a longer-running exhibition from Hefuna in the gallery itself: using palmwood constructions (echoing the boxes that dot Cairo’s streets), personal objects, drawings, new digital work and glass cases to create a ‘mental map’ across several rooms in the gallery and parts of Whitworth Park, the installation part of ToGather (10am-5pm, 30 June – 16 July, continues after MIF17 until 13 September, free), also reflects on migration and sensations of separation and togetherness.
Very different, but equally fascinating, is MIF’s No End to Enderby (10am-5pm, 30 June – 16 July, free), which continues on after MIF until 17 September 2017, and is a tribute to Manchester polymath Anthony Burgess in the year of what would have been his 100th birthday. Created by director Graham Eatough and artist Stephen Sutcliffe, the installation features two new films that respond to Burgess’s ‘Enderby’ series, alongside the original sets they were shot in. Worth a visit before heading back into town is the beautifully restored Elizabeth Gaskell’s House (11am-4.30pm Sunday, tickets £4.95 / £3.95 conc.) – particularly for tea and cake in what was the Gaskells’ kitchen.
Alternatively, kick off an evening at Festival Square with a free Pavilion Theatre show from The Sunday Boys (5.30pm), or world food from the resident kitchens before watching an enveloping live show from Amnesia Scanner at the Pavilion Theatre (7.30pm, tickets £12) to finish the evening – and your weekend at MIF17 – in energetic, spectacular style.