An opera for babies
Giuseppe Belli & Emma Belli
Singer - Uccellina
Singer - Pulcino
Already internationally in demand, the show tours to Paris and New York this Spring before returning to Scotland in late Summer.
Tickets to the performances in Scotland are available via Scottish Opera.
21 – 22 Sep, Mareel, Shetland
17 – 18 Sep, Motherwell Concert Hall, Motherwell
14 – 15 Sep, Perth Theatre, Perth
10 – 11 Sep, Eden Court, Inverness
6 – 8 Sept, The Lemon Tree, Aberdeen
7 – 19 Aug, Edinburgh Academy, Edinburgh
30 April – 5 May, The Metropolitan Opera, New York
13 – 20 April, Théâtre du Châtelet, Paris
21 Oct – 5 Nov, Scottish Opera Production Studios, Glasgow
8 – 20 Aug, Edinburgh Academy, Edinburgh
BambinO was a pioneering piece of music theatre aimed at an audience that doesn’t often get a look in at the opera – babies.
This colourful work reinvented operatic language and traditions for children at an age when their minds are wide open to new sounds, images and experiences. Babies were free to crawl around during the performance, interacting with singers, musicians and each other. Even adults found new ways of hearing music through the ears of the young.
Written by Scottish Opera’s acclaimed Composer in Residence Lliam Paterson and directed by Improbable’s ever-imaginative Phelim McDermott, who has directed at opera houses around the world, BambinO was a twin celebration of the possibilities of music and the power of the infant imagination.
BambinO played at venues all over Greater Manchester during the Festival from Wigan, Hyde and Heywood to Oldham and Salford.
‘For imagination and enchantment, this enterprise deserves every rosette going… Rarely has innocent pleasure felt so vital. BravO’ The Observer
‘..it was genuinely moving to see a little girl of no more than nine months giggling with delight as the soprano, Charlotte Hoather, imitated bird sounds during a playful, beautiful aria. Another benefit of BambinO was that it put paid to that rather tired accusation against opera: namely, that it is inaccessible or elitist.’ The Times